Yeddi oğul istərəm (1970)

Chronicle of the irremediable tragedy of 7 Azerbaijani heroes of Bolshevism. Recovering order and justice in the town of Peykonla will not cost the Komsomol detachment commanded by the brave Bakhtijar more than the ephemeral dream of sowing peace in the place, nor less than the lives of its men upon arriving just when the outlaws of Geraybek they have mercilessly murdered and looted the residents; Alarmed by the events, they undertake the search for the criminal since upon entering they see men from Chapalpak Kerem and Kerem Chalali hanging; I could also have said from the beginning that it is the chronicle of the frustrated dreams of a group of heroes without a medal because, since they settle They even fantasize about being proponents of harmony: the intellectual Kasum, for example, imagines himself adapting and writing plays and filling the villagers with morals and culture although the The treacherous Mirpasha makes fun of him and later shows why, by being rude and evil to the Muslim priest there and mistreating the dog also because he feels that he has the right to dispense swift justice, or the young Jalal, son of Shakerbek, Imagine uniting your destiny and fully loving Geraybek's daughter or how about Uncle Gazanfar himself educating the boy Gagani, without knowing that it will be in vain because everyone will die in the fray against the tyrant who hides with his lieutenant Gizir and his other men in the Yellow Mountain, waiting for the offensive blow that will overthrow and reestablish his iniquitous rule on the peasants and farmers of the place. If I had to choose a scene, the scene of Maya, Geraybek's daughter, in full distress when Jalal's corpse returns on his horse to Bakhtijar's camp, fills me with sadness and asks her to take revenge for her beloved, without forgetting that it will be against her own. father. The only thing Jalal wanted was to be left in peace with his beloved and the nefarious leader had a musician Ashuk Vele play the instrument while he was shot in turns with the carbine by the fake uncle Kalantar, the same old man who feigned dementia and whom Jalal made that Bakhtijir spared his life upon entering the village in front of the hanged man. Poor Kasum, he couldn't even finish performing his play when Geraybek's men ambushed them and in the end, when only Bakhtijar came out alive from the Azrbaijani-style OK Corral-style encounter, ironically the letter from the high Bolshevik authority asking Bakhtijar to please intervene with his men by dismantling Geraybek's gang of criminals.